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Seaweed “Spanaway” CD

Seaweed - SpanawayI have to admit something right off the bat here: I never fully appreciated Seaweed. I got into this band for one reason and one reason only: "Magic Mountainman". What the fuck is that, you ask? It's the fifth song off of "Spanaway"—the band's lone major label effort from 1995 on Hollywood Records. You see, 10 years ago when I was a freshman in college, my roommate was basically a good for nothing stoner douchebag who did nothing but sleep, run track, sleep more, and be an inconsiderate dick. He was a nice guy, oddly enough, he was just too damn stupid to realize that he was an inconsiderate dick (I'll spare you the countless details on that one). Anyway, I had never really heard Seaweed at the time because I was too busy listening to "Systems Overload" in headphones 500 times a day and despising all existence, but apparently Seaweed was one of the only good bands this dude liked, because he woke up to "Spanaway" every day for like three months straight and it drove me nuts. But you see, every time that fifth song rolled around, I woke up too, thinking to myself, "Holy shit... this song is amazing." But that was pretty much the end of it. A few months later he decided that waking up to Morphine every day would be a better idea and there was no longer a four-minute reprieve from my morning misery when his alarm would go off. I couldn't actually buy the CD back then... it would've cut into my "Systems Overload" time, right!?

Well, years went by and I did eventually buy the disc, because I never forgot how incredible "Magic Mountainman" was. From the liner notes I discovered that Matt Cameron from Soundgarden drummed on the track (whoop-dee-doo), then listened to the CD a few times and filed it away as usual. I'd still listen to it every now and then, but other than that one song, it never really clicked with me for some bizarre reason. But recently it finally happened: I decided to toss this puppy in on the way to work one day, and for the entire ride I was like, "Holy shit, the recording's a little thin, but most of these songs are fuckin' great!" And here I am on a quest to go ahead and grab all of the band's other records.

For anyone that cares, Seaweed formed in the late-80's Seattle-ish scene (specifically Tacoma and Olympia) and initially did a bunch of recordings with Jack Endino, along with several records for Sub Pop. For some unknown reason their brand of catchy, angular indie rock/post-hardcore type of stuff tanked big time when they hit the majors, so four years later their last record came out on another independent label in 1999 with Alan Cage from Quicksand on drums. They broke up soon afterwards.

As with many indie bands that bombed on the majors, there was a time when you could score this disc for dirt ass cheap anywhere you looked, so while it's not so favorable for purchasers (though it's certainly not bad), it could point towards a good sign for the band's belated appreciation that these days this one seems to go for pretty average prices in the used bins once you factor in shipping costs:

Amazon.com
Half.com

Comments

  1. I am guilty of liking Seaweed back int he day, although I think Soanaway is their worst release. They’re an example of a band that did everything right—the SubPop catalog called them “Fugazi Osbourne,” the joke being they had that Fugazi-esque post-hc sound plus the vox could get Ozzy-ish at times—and they were from Washington, like Nirvana (and on SubPop like them), fairly catchy, but bombed anyway, like Shudder to Think, another post-hc-to-major-label failure. Anyway, I do remember when MTV VJ’s wcould be spotted wearing a Seaweed “weak” ballcap or something, circa 1992 or 93.

    —Oliver in Dallas, TX

    9.19.2005 | By Anonymous

  2. I disagree with the person above me. ‘Spanaway’ is a fine release which is just slightly inferior to their ‘Four’ album. It’s too bad they couldn’t hold it together. The singer has a new band that plays stuff completely different from Seaweed. The band is called The Blue Dot and they suck something bad!

    -los

    9.19.2005 | By carlosNYC

  3. Seaweed sort of bridged the gap between the eastcoast ‘emo’ thing (ala fugazi, quicksand) and northwest ‘grunge’ thing.  alas, a classic example of a band getting big and losing it’s stride like Oliver said: Shudder, Jawbox, Mudhoney…they all fell into the Corporate Black Hole

    i hate to say it but this does sound like something a dick-jock would wake up to in the morning!

    chrisuede

    9.19.2005 | By audiosuede

  4. I have to say that “Weak” gets my nod for their best effort. Don’t know why, just always loved that record (especially “Baggage”) even though I’m not a huge fan of anything else they did. That record with Alan Cage isn’t too bad either.

    They were an excellent live band though. I had the displeasure of attending the first Warped Tour, and even though Quicksand, Orange 9mm and Sick of it All were on the bill (and were the reasons I attended), I walked away being thoroughly impressed by Seaweed. Tons of energy and very tight…

    9.19.2005 | By Scott

  5. Hell yes. This stuff is pretty amazing, I wish I had heard about them earlier.

    9.19.2005 | By Fergus

  6. Yeah, Seaweed does indeed take me back to the days of Orange 9MM and Sick of it All. If I’m not mistaken, Seaweed went on a tour w/ bad Religion and Green Day around the time—possibly just before—Green Day came out with their sell-out album, Dookie. I always had the impression back then that SubPop were hoping Seaweed would be their “next Nirvana.”

    Having said that, i think the Seaweed albums Weak and Four are especially good, and even their first LP, Despised is cool. I just recebtly listened to them again because of this unexpected post. A few friends of mine who liked punk in the early 90s, but who, unlike me, “moved beyond” it, claim they thought Seaweed was always like a 2nd rate version of Dave Smalley’s Dag nasty (1986-97). I have to disagree. I think Seaweed hold their own. Not 100% hardcore, but still pretty cool. The drummer deserves kudos for keeping the drums busy during a lot of songs that might otherwise flounder were it not for his drmming; for ex. I always got the feeling the drummer wanted to be doing straight up hc drumming, as in the Four album, but restrained himself to help make Seaweed “more accessible.”

    -Oliver in Dallas, TX

    9.19.2005 | By Anonymous

  7. I always tried to get into seaweed, ever since I saw that movie Hype! and they seemed to be the most intriguing band that I hadn’t heard before. thanks for postin’ the tracks

    9.20.2005 | By Long lost and still forgotten

  8. An old band that I played in opened for Seaweed on all of their Texas shows when they toured for the “Four” record.  I saw them more times than I can remember over the years, and they were an incredible live band every time… and damn funny dudes.  I didn’t listen to “Spanaway” much when it came out, and it was definitely my least favorite of all their records…  so i’m really anxious to hear these songs again. Thanks!

    9.21.2005 | By Everything Went Black

  9. seaweed is unquestionably one of my all time faves. every album is at least pretty good but four is a fucking masterpiece. pick that one up.

    9.22.2005 | By Anonymous

  10. My friends always played Seaweed around me.  I was never a huge fan, and I never bought any of their music, but I did enjoy them whenever I saw them live.

    Someone in Seaweed produced the Undertow record “At Both Ends”.

    9.22.2005 | By X Noble X

  11. i bought everything seaweed every put out during my college days; ‘despised’ was all i needed to hear to follow them wherever they went. i agree with the analysis of DC emo meets pacific northwest grunge—that essentially was their steez. but even i have to admit that there’s probably an album and a half of good material in their entire catalog. oh but what an album taht would make ... !

    10.3.2005 | By scooper

  12. Seaweed was one of the best bands of the 90s.  If you refer to them as grunge, you are deaf, and like repeating a worn-out inaccuracy that commonly gets pegged on this band. Seaweed were a straight-up cathcy punk band in the tone of Jawbreaker, Samiam, and—I will admit—Dag Nasty.  But I’d argue they carried Dag Nasty’s torch, instead of ripping them off.  They were loud; they had a great singer; they are missed.  And dude up above, give the Blue Dot a chance: they totally grow on you.

    11.8.2005 | By Anonymous

  13. Seaweed is pretty fukin deep man, spanaway holds a special place in my heart cause I’m from there,8 miles south of Tacoma lies a place where no one dares to stay for too long.Easy to get sucked in,easy to love,won’t ever forget the place that forged my deep seeded hate for establishment,mainstream motherfuckers,and tweekers. You were hardcore if you were from Tacoma,You were a dirty rotten filthy motherfucker if you were from Spanaway.

    1.31.2006 | By Anonymous

  14. I heard Seaweed for the first time through “Clerks” film’s soundtrack, 14 years ago. Then I downloaded some of their song by Napster: I tought they were bloody great, in Fugazi vein, a band that by then (and now) I fuckin’ idolized, but for some strange reason I got Spanaway only recently. And I can simply say that is a GREAT record, the kind of passionate sound I always enjoyed.

    11.24.2010 | By Mauri

  15. funny, “magic mountainman” is the song that got me to listen to the rest of their stuff too.

    2.29.2012 | By Anonymous